ELP Digest Thursday, 25 May 2000 Volume 10 : Issue 2 The "Cast It To The Sea" Edition Today's Topics: KE news Keith Emerson w Mother Mallard @ Smithsonian Keith Emerson at the Smithsonian (#1) Keith Emerson at the Smithsonian (#2) QANGO GIG REVIEW - 30/4/2000 QANGO concert Bob Moog article at Salon Emerson/Wakeman Emerson & Wakeman Patrick Moraz in UK spanish elp list elp ELP Reference on Fox's "The Simpsons" ELP's Fanfare for the Common Man at Harlem Globetrotters show ELP on "Sabrina the Teen Age Witch"! Blair Pethel FW: Patent Noddys Puncture Next Gig This weekend & contacts The music itself looking for a fan Prelude ======= So.... how many of you thought that I'd given up on the ELP Digest. Well, I didn't. It just seemed that way. I mentioned in Vol. 10 #1 that I'd had a crazy and hectic winter. Well, the spring hasn't been that different. But it's been crazy and hectic in a more positive way. Would you believe that I'm starting a company? Well, I am. Alas, it's not a music company. (We'll save that dream for another day.) But starting a company (so far) has been a fun (though, at times, frantic) thing to do. I'll share more details as things unfold. I just want you to know that I think I'll be able to get the ELP Digest back on a more normal schedule now. Thanks for not giving up on me (and the ELP Digest completely). Read on for lots of interesting information about Keith's appearance at the Smithsonian in Washington, DC, a review of a QANGO concert, and some mentions of ELP in contemporary popular culture to show that the memory of ELP lingers on for even those who aren't die-hard fans. - John - ------------------------------------------------------------ From: Thomas Felts [mailto:twfelts@hotmail.com] Sent: Saturday, April 15, 2000 5:42 PM To: elp-digest@reluctant.com Subject: KE news Just a quick note.....I was at the Smithsonian today, where Keith, Bob Moog, Malcolm Cecil, Robert Margouleff, Trevor Pinch, and David Van Koevering gave a panel discussion for 2 hours. Keith shared many anecdotes, and was witty and entertaining as usual. One of his anecdotes was how, after "Switched on Bach" made the Moog a household word, he called Moog Music, asking if they would 'give' him one. Their response was, "If the Beatles and the Rolling Stones can afford to buy theirs, then you can too." The highlight of the event was Keith (Playing Mini_moog) and Bob Moog (on his Theremin) jamming Tarkus. Bob quipped that he had been practicing for 10 years for this event. I spoke with Keith briefly after the event. I asked about the book, and he said "Oh, right, I've got to get back to that....the problem is that I keep changing parts of it...." Re: the Wakeman tour. Not this summer. There will be an album first, expected around November, with the tour next year. One feature of the tour will be Keith's son, and Rick's son, they will both be making contributions....... Ok...I'm still walking on air, and have to get back for the concert this evening. I will try to wire in a report on that as well. ------------------------------ From: Dan Barbiero [mailto:danbarbiero@erols.com] Sent: Sunday, April 16, 2000 5:19 PM To: elp-digest-web@reluctant.com Subject: Keith Emerson w Mother Mallard @ Smithsonian Saw Keith Emerson with Mother Mallard at the Smithsonian's Carmichael Auditorium last night. Emerson joined the band towards the end of the second set, beginning with his arrangement of "Fanfare for the Common Man." Other players on the piece were David Borden (drum synthesizer), Doug Wyatt (synthesizer), Sam Godin (bass synthesizer), and Gabriel Borden (electric guitar). Emerson was in good form, the band cooked, and the audience dug it -- so much so that the concert was extended to include two encores. The first was the old Mother Mallard piece "Ceres Motion" (part of the original program, but dropped for some reason). Louise Mygatt was featured on vocalese, while Emerson improvised on prepared piano (left over from the first set's performance of "Perilous Night/Perilous Night Companion") over the other Mallards. Rhythmically interesting, almost Monkish, piano accents on that one. The second encore was an impromtu blues in F, with Emerson riffing on prepared piano (!) and calling out the changes. Emerson was clearly having a good time playing, and the feeling was infectious. Quite an enjoyable evening! ------------------------------ From: MElrod3732@aol.com [mailto:MElrod3732@aol.com] Sent: Monday, April 17, 2000 11:57 PM To: elp-digest-web@reluctant.com Subject: Keith Emerson at the Smithsonian At the Smithsonian on April 15, I heard it straight from the man himself, that Keith Emerson and Rick Wakeman do indeed plan to tour together some time in the future but not until they release an album together. He also stated that both his son and Wakeman's son plan to perform with them. The panal discussion at the Smithsonian was great. Keith told several humorous stories about getting his first Moog and the time he fell off the stage at a Nice concert diving over his L100 and security wouldn't let him back on stage. Keith also looked GREAT!!! He has new shorter hair style, it looks like he is working out and has lost some weight, and his face has a more youthful appearance. He was very cordial after the panal discussion, answered questions from fans and stayed until everybody that wanted one got an autograph. Mark Vail from Keyboard Magazine was there and there should be an article about all this in Keyboard Magazine in the next few months. I didn't get to see the concert with Mother Mallard, but would like to know how it went. ------------------------------ From: Felts, Tom [mailto:tom_felts@McKennaCuneo.com] Sent: Tuesday, April 18, 2000 8:55 AM To: 'elp-digest@reluctant.com' Subject: Keith Emerson at the Smithsonian It is spring time in Washington. The weather is overcast, with occaisional drizzle. The Museum of American History is located on Constitution Avenue, right across from the IRS buildings. The irony is not lost on me that our hero is being showcased in a museum.... {And there behind the glass, stands a supersonic blast, Keith Emerson from the past, move along, move along...). Three fourths of the show consists of the band Mother Mallard, a band of which I am unfamiliar. Led by David Borden, they perform a number of pieces written by David, including a number of variations on themes by Phillip Glass. They consist of 4 keyboardists, a guitar player, a sax player, a clarinettist, and a female vocalist. The music is ambient, atmospheric, and learned. One piece played is a John Cage piece, and so the piano on stage has been prepared, with the usual thumbtacks and such in the hammers. When the time comes for Keiths appearance, David Borden introduces him as a virtuoso everything. Keith comes out, and the first thing he does is play the first verse and chorus of "Maple Leaf Rag" on the prepared piano. Of course it sounds funny, but it works, and it also tunes the audience in to the fact that it does sound funny, so later, when he is improvising with the band, the audience knows what the deal is. Keith does "Fanfare...." with the band, playing to a tape track. This is the first time I have heard him cop the opening riff of "Jump" (Van Halen) as the opening lick for the synth solo. Must be the California living....He was playing an Alesis synth, which was one of Mother Mallards. Anyway, it was fun, and the guitar player got to take a solo as well. Next was an improv on an atmospheric piece. Keith spent most of the time at the piano, crafting sounds out of the prepared keys. The crowd demanded an encore, so Keith talked them into a blues in F. Keith played the piano, and also did a synth solo. What comes across with Keith is that he is genuinly having fun, and loves to play. On top of being an incredible musician, and a 'world famous rock star' he remains a warm and friendly human being, with an incredible sense of humour. At one point in the panel discussion earlier in the day, a clip from the ELP movie (the one with Keith dressed up as an Armadillo, ragging on the Ribbon Controller, with scenes of him shooting down a Japanese Airplane interspersed) was shown. After it was over, Keith quoted verbatim a rock critic that had slammed him and ELP in London, using the old "overblown" and "pretentious" words. And with Keith saying it, and looking at that video, you had to agree. But the showmanship side of ELP was always secondary to the musicianship. I never saw an ELP concert where they sucked as musicians...and I think that is something the critics have played down. Anyway, whew, what a day. Dreams do come true. I left with a sense that maybe it is for the best that ELP be laid to rest. Keith still has the fire in him, and his best work may be yet to come. Certainly the Wakeman\Emerson album and tour will tell... ------------------------------ From: GRAHAM SEAMAN [mailto:babayaga@cableinet.co.uk] Sent: Monday, May 01, 2000 3:49 PM To: elp-digest@reluctant.com Subject: QANGO GIG REVIEW - 30/4/2000 Hi John. Please find my review of the Liverpool UK gig. I hope you find it of interest and suitable for publication in the Digest. 30/4/2000 - ROYAL COURT THEATRE, LIVERPOOL, ENGLAND 26 years ago, a certain Mr Palmer (he of the massive gongs and church bell played with his teeth) left the stage of the Liverpool Empire after playing for three sell-out nights at the end of an historic world tour with ELP. A little over three hours ago, a bit of rock n'roll history once again descended on Liverpool, as that same Mr Palmer took the stage once again - this time, QANGO were in town! Formed after the ASIA reunion failed to materialise, QANGO brings together the well-known musical talents of Carl Palmer and John Wetton (bass and vocals), with London-based David Kilminster (guitar and vocals) and John Young from Liverpool on keyboards and vocals - two talented musicians who have worked on other John Wetton projects in recent years. The evening commenced as the four piece support band, THE WICKER MEN took the stage around 8pm - their driving guitar-based hard-rock spoiled only by a poor mix on the lead vocal at times. QANGO took the stage at 9.12pm - John Young hammering out the first few bars of 'Fanfare for the Common Man' from his synth before the band kicked into the ASIA classic, 'Time Again'. 'Soul Survivor' quickly followed, to then be followed by a song which Carl announced 'You'll probably know!'. Young played the unmistakable 'music box' piano intro to 'Bitches Crystal' before the band joined him at a frantic pace - Keith Emerson's piano and Moog melodies being played as one - with Young's keyboard skills being matched superbly by the deft Telecaster work of Kilminster. The rest of the band then left the stage as Kilminster played a solo acoustic piece - the main theme from 'Pictures at an Exhibition' moving swiftly into an excellent demonstration of fast improvised guitar work which had the audience at the edge of their seats. John Wetton then joined Kilminster on acoustic guitar, playing a moving version of the 1983 ASIA classic 'The Smile has left your Eyes'. Wetton's voice had, up until that point, appeared to be struggling at times in some of the previous songs, hardly surprising when considering the strain of touring - the softer melodies of 'The Smile...' however were more easily managed - a brilliant rendition of a classic ballad. Presently Palmer and Young rejoined the others to play fine renditions of the classic 'All Along the Watchtower', John Wetton's - 'Battle Lines' and a new song 'Walking on Air'. John Young was introduced properly by the band who then left him alone on the stage as he played an excellent keyboard solo - the style of his midi piano / synth reminiscent of Rick Wakeman during his early solo career. The band then reappeared to bring us ASIA in 1982 'Only Time will Tell' and then an absolute stormer of an instrumental - ELP's 'Hoedown', with guitar and synth playing in unison, faithfully following Keith Emerson's arrangement of the classic Copland piece. The band were clearly enjoying playing this song, while the audience hung on every phrase and note - obviously not wanting any of it to end. Palmer and Wetton were solid on drums and bass - driving the piece on toward the inevitable conclusion. The last verses ended in a keyboard and guitar 'battle' - with Kilminster and Young trying to 'out-lick' each other to see who could play the fastest - and then the final climax as Palmer and Wetton brought the whole band back to finish together. They were truly a few minutes when the hairs stood up on the back of your neck - ELP heaven! I had the feeling that the band would struggle to follow that one, and that we were probably in the 'home stretch' as far as the gig went. I need not have worried however, for Wetton announced a new song 'Last One Home'. It began quietly - a ballad with soft piano and precise guitar and bass lines. John Young opened the vocal before the chorus came in, and Wetton and Kilminster joined him - the song building like an approaching freight train until the crescendo of the guitar and keyboard solo at the end eventually took the breath away. For me, there was only one way the gig could finish and I got my wish. John Young turned the clock back right to the very beginning of the night and opened into 'Fanfare of the Common Man'. Palmer's solid drumming and Wetton's driving bass were every bit as good as ELP were during the 'Works' period - and Young and Kilminster swapped phrases and licks between them - with Kilminster assuming the flamboyant 'KE' role by fretting his Telecaster from the front with his left hand, and also making it scream by playing it with his teeth. Brilliant! The song built, and built and built, and then suddenly......stopped! Carl Palmer looked at the others who all shrugged and walked off the stage - there was nothing else for it...drum solo! It was CP at his best....no revolving kit, no gongs or church bell....just one man beating the living daylights out of his drum set. Palmer showed us just why he is still acclaimed as one of the best rock drummers of all time. He juggled and played with his sticks, using the back-end of the stick as well as it's tip during the rolls without missing a beat. Every bit of the kit was used - skins, rim-shots even the shells of the drums themselves. An entire section was played on the cymbals - with bells and edges beaten from the top and also from underneath with equal dexterity. And all the time the double bass drum beat and hi-hat drove the solo on. After the obligatory tambourine, bass drum and audience participation moment, Palmer launched into the final stages of the solo at 180 mph - hammering the kit to produce a crescendo of noise which had the audience clapping and screaming for more. But end it did....the rest of the band came back and finished 'Fanfare' by producing a solid wall of rock music and flashing light. The band bowed and left the stage to rapturous applause, to be brought back a few minutes later to launch into 'Heat of the Moment' - unthinkable perhaps that they would have let that one get away. The audience were with them all the way, rocking and dancing in the aisles and in their seats, especially when the band played the mid-section reggae-style! The end of the concert came all too quickly and the band finished and took their bows, leaving the stage as the house-lights came up. The gig was over - drained, but happy, we left the auditorium and reflected on what we had just experienced. The general opinion was, I feel, that QANGO are definitely a force to be reckoned with in terms of producing quality rock music - it will be interesting to hear the new material they intend to release on their forthcoming studio album. Until then we have a live CD available (which I failed to get hold of on the night due to them selling out!) - god bless mail order! I believe they're off to the states shortly - so if they're passing your way, don't forget to give QANGO a look. GRAHAM SEAMAN (Liverpool, UK) - 1/5/2000. ------------------------------ From: Cantrill Dave UKLG-GP [mailto:dave.cantrill@going-places.co.uk] Sent: Friday, March 24, 2000 6:26 AM To: elp-digest@reluctant.com Subject: QANGO concert Hi John If anyone is interested. There is a write up for the QANGO concert (London LA2) on 4th Feb 2000, in April 2000 issue of Classic Rock. This also includes a set list. DC ------------------------------ From: Chris Roberts [mailto:chris@futuresouth.com] Sent: Tuesday, April 25, 2000 11:27 AM To: elp-digest-web@reluctant.com Subject: Bob Moog article at Salon Thought you might be interested in this... http://www.salon.com/people/bc/2000/04/25/moog/index.html Keep up the great work! chris ------------------------------ From: Steve Peterka [mailto:speterka@niia.net] Sent: Saturday, April 22, 2000 12:18 AM To: ELP-digest@reluctant.com Subject: Emerson/Wakeman On Rick Wakeman's web site, there's an April 13 question-and-answer session at http://www.rwcc.com/rwcc/code/faq02.htm. Here's Rick's reply regarding the reported Emerson/Wakeman tour: Any developments in the plans for a Wakeman/Emerson tour? It is moving ahead. the music for the album is written and Keith and I are very happy. Touring plans are moving very slowly though. Also: Glenn Hughes to appear with Emerson/Wakeman ? Emerson to appear with Wakeman? Rumour or truth? Anything already decided? The Emerson / Wakeman CD will be instrumental, but there will be a bonus CD given away with the recording that will contain stuff from Keith and myself that we are perhaps well known for , We will be appearing on each others stuff on this give-away CD as well and because a lot of this will require vocals , Glen Hughes certainly seems to be the front runner having already recorded a version of Tarkus with Keith. So now we know there's a CD (or two!) in the works! Hope they get moving on it soon! Steve Peterka ------------------------------ From: Rodrigo Werneck [mailto:rod@uriah-heep.com] Sent: Sunday, April 23, 2000 10:07 AM To: elp-digest@reluctant.com Subject: Emerson & Wakeman Hey John, Just heard some rumours about the planned project involving Keith Emerson and Rick Wakeman. Someone close to Wakeman said that all the songs were composed and everything is almost done. Apparently, it will be a fully instrumental album, though there'll be a "bonus CD" where they'll play each other's classic stuff! On these tracks, Glenn Hughes supposedly will take care of the vocals. If this happens, it will be really interesting to hear ELP/Emerson's songs played by Rick and Yes/Wakeman's songs performed by Keith! Bad news is that Wakeman said that the chances for a tour are remote... All the best, Rodrigo Werneck rod@uriah-heep.com webmaster@ken-hensley.com ------------------------------ From: Paul Chandler [mailto:earthworks@cwcom.net] Sent: Wednesday, May 17, 2000 6:55 PM To: John Arnold Subject: Patrick Moraz in UK Hi, Patrick Moraz has signed to make one appearance only in UK this year. He will be appearing at The Marlborough College Memorial Hall in Wiltshire, England, on August 26th 2000. The venue described by Rick Wakeman as 'the high point' of his recent 50 date tour of the UK. First solo gig for Patrick in UK for 15 years. ( Bruford & Moraz at Ronnie Scott's ) For more information contact Paul Chandler on 44 01672 811636 or e-mail earthworks@cwcom.net many thanks, Paul ------------------------------ From: David Carrillo [mailto:davcar23@hotmail.com] Sent: Saturday, April 15, 2000 5:29 AM To: arnold@reluctant.com Subject: spanish elp list Hello John Please include in ELP Digest: Just to invite all spanish speaking ELP fans to join the spanish ELP e-mail list "Mantarkus". Details at http://www.geocities.com/mantarkus/index.html Thanks Solo para invitar a los fans de ELP de habla hispana a unirse al grupo de correo electronico "Mantarkus" Detalles en http://www.geocities.com/mantarkus/index.html Gracias ------------------------------ From: LIORELP@aol.com [mailto:LIORELP@aol.com] Sent: Sunday, April 02, 2000 12:38 AM To: arnold@reluctant.com Subject: elp Do you know where carls stainless steels drum set is currently? is it available? thanks,lior ------------------------------ From: John S Hawkes [mailto:elpnut@juno.com] Sent: Sunday, March 26, 2000 6:38 PM To: elp-digest-web@reluctant.com Subject: ELP Reference on Fox's "The Simpsons" The folks at Fox Television in the U.S. have done it again! On a recent episode (in February 2000) of the animated T.V. series, "The Simpsons," a reference was made about Emerson, Lake & Palmer. Did anyone else catch it? Bart Simpson, along with his Father, Homer, were at the Springfield County Fair. An outdoor concert was taking place, and it featured the Canadian Power-trio Bachman-Turner Overdrive (animated, of course) onstage performing one of their 70's hits. Bart turned to his Dad and asked, "Hey Dad! Who the hell are Bachman-Turner Overdrive?" Homer screamed, "BTO! You know... Canada's answer to ELP!" The musical comparison is highly inaccurate, but the reference to our musical heroes was hilarious and certainly caught my attention! ------------------------------ From: John Arnold [mailto:arnold@reluctant.com] Sent: Monday, March 27, 2000 11:03 AM To: elp-digest@reluctant.com Subject: ELP's Fanfare for the Common Man at Harlem Globetrotters show Hi. My family and I went to see the Harlem Globetrotters show in Boston last week. I smiled when the New York Nationals team (the GlobeTrotters opponent) was getting warmed up and introduced and ELP's version of Copland's "Fanfare for the Common Man" was being played in the background. - John - ------------------------------ From: Dollmanaj@aol.com [mailto:Dollmanaj@aol.com] Sent: Sunday, April 30, 2000 10:19 AM To: elp-digest-web@reluctant.com Subject: ELP on "Sabrina the Teen Age Witch"! Hello, ELP was mentioned in last friday's episode of ABC television's "Sabrina the Teen Age Witch". It seems as though Sabrina and her boyfriend were planning to go to Boston College, and Sabrina was wearing an "Emerson College" sweatshirt. When her boyfriend asked why she was wearing an Emerson sweatshirt, she told him that it was to go along with her Lake & Palmer sweat socks! This was one of those things that happened so fast that it didn't register until it was over...and who says there's nothing good on television? Thanks! John Dollman ------------------------------ From: George Forrester [mailto:george.forrester@netgates.co.uk] Sent: Tuesday, February 08, 2000 3:46 PM To: elp-digest-web@reluctant.com Subject: Blair Pethel Hi John The ELP book which Martyn, Frank & I have written is near to final submission to publisher, and I need to get in touch with Blair Pethel, who as you probably know wrote a dissertation in 1987 on Emerson's musical style. I used some of it in the book and want to secure his OK. I tried to trace him through his college, the Peabody Institute of Johns Hopkins, but he is one of their alumni for whom they have no contact details. Is he on your database? If not, will you please put up a request on the site saying I want to get in touch with him, and include my email address. I'm pleased to see Bjorn-Are supporting the cause of millennium accuracy in the ELP Digest! George Forrester ------------------------------ From: John Arnold [mailto:john.arnold@alumni.brown.edu] Sent: Friday, May 12, 2000 8:31 AM To: elp-digest@reluctant.com Subject: FW: Patent An ELP Digest reader who wishes to remain anonymous passed along the following. Note the clever use of names. >>> An excerpt from U.S. Patent no. 5,873,096 (dealing with >>> distributed database technology) at column 8, lines 30-41: >>> >>> For example, assume that a field contains the value >>> "Keith Palmer." Assume further that a user at node >>> 27-a enters a transaction to update that field to >>> "Carl Lake," and a user at node 27-b enters a transaction >>> to update the same field to "Greg Emerson." Without >>> collision detection, data among various nodes may become corrupt. >>> When the transaction for user 27-a is merged, the field is >>> updated from "Keith Palmer" to "Carl Lake." Without collision >>> handling, when the transaction for node 27-b is merged, the >>> field would be updated to "Greg Emerson," and the central >>> database would then be out of synch with the database of node 27-a.... ------------------------------ From: G R Goostrey [mailto:geoff@goostrey.com] Sent: Tuesday, May 09, 2000 2:44 PM To: 'elp digest' Subject: Noddys Puncture Next Gig This weekend & contacts Hi folks, The purpose of this email is to remind those of you that can make it, that Noddys Puncture are playing at the Fishermans in Littleworth again this coming weekend, 13th May. Sorry for the incorrect info' in the Impressions mag., this was due to a date change by the band due to other commitments. Anyhow, the second purpose of this note is to put you all in touch with one another and with Tom, our hero keyboard player in Noddys Puncture. He has some exciting news about playing in Liverpool, but I will leave that to him, as he now has his own email account... Tom.Szakaly@granadamedia.com Hopefully, Tom will be able to grab the distribution list off this email and notify you all of any dates etc. So here's to this weekend, see you there. Geoff. [ Editor's Note: My sincere apologies for not getting this message out in a Digest in time to alert the UK-based readers of this show. I'll do better next time. Sorry. - John - ] ------------------------------ From: ur-12@webtv.net [mailto:ur-12@webtv.net] Sent: Friday, February 18, 2000 12:02 AM To: elp-digest-web@reluctant.com Subject: The music itself First, I deeply thank you for the ELP Digest. I have been a fan sense Brain Salad Surgery first came out. I have read a lot about ELP over the years and never have I seen anything about what I am writing about. I just recently bought a copy of the Then and Now CD set and I am completely amazed. Those guys can play the same songs differently on each recording and still give the listener something to thrill over. I mean it's not like, "Oh no not another one." It is more like, "Did you hear that?" I now have three versions of Tiger in a Spotlight and all three are the best. Any way, to get to my original point. Like I said before, I have never read anything about this so I may be way off base here. After the recording was completed on the Welcome Back My Friends concert do you think they went back to the studio and laid in some more tracks? Listen to Tarkus and Karn Evil 9. There seems to be a whole lot of music being played there. And listen to Hoedown. Was Emo really playing that fast? I mean you can actually hear all the individual notes being played with laser point accuracy. I mean WOW WE ! Those guys just blow every one else right out of the water with pure talent (if its all true) . What do you think? They didn't have the technology to compress like they do with movies now. When the old BSS album is slowed down Greg Lakes vocals sound more like they do on the live performance. So , what do you think? Now I know they are not going to play with as much speed as they did in the 70's. But even on the Then and Now CD the California Jam session does not have as much "music" for the same songs as the Oklahoma show. What ever, ELP is and was the best. Paul Kirk ------------------------------ From: ERIC QUINEY [mailto:ERICJAMES@quiney37.freeserve.co.uk] Sent: Friday, March 03, 2000 6:51 PM To: elp-digest-web@reluctant.com Subject: looking for a fan Hi I'm looking for an ELP fan called Dave Want (get in touch Dave if you see this). Thanks ERIC ------------------------------ Digest subscrition, mailing address, and administrative stuff to: elp-digest-request@reluctant.com ELP-related info that you want to put in the digest to: elp-digest@reluctant.com Back issues are available from the ELP Digest web site: URL: http://www.brain-salad.com/ Note: The opinions, information, etc. contained in this digest are those of the original message sender listed in each message. They are not necessarily those of the mailing list/digest administrator or those of any institution through whose computers/networks this mail flows. Unless otherwise noted, the individual authors of each entry in the Digest are the copyright holders of that entry. Please respect that copyright and act accordingly. I especially ask that you not redistribute the ELP Digest in whole or in part without acknowledging the original source of the digest and each author. Thanks! ------------------------------ End of ELP Digest [Volume 10 Issue 2] *************************************