To: elp-digest-web@reluctant.com From: Hrshkvtz@aol.com Subject: Review: Aug. 22, World Music Theater, Tinley Park, IL. Date: 8/25/98 1:23 AM Tonights performance went a long way to dispell any myths that ELP were a worn-out band from the 70's. Usually the rigors of the gruelling concert schedule takes its toll on ELP by the time they hit Chicago. Not this time. Even the non-fan was heard to say,"Hey, he's pretty good." It becomes apparent after a few concerts that ELP are seriously dedicated to their work. This bodes well for the fans' concern for future tours or material. They didn't play like a group that's ready to go back to a day job after the tour was over. At the Hampton Beach concert, Greg Lake pleasantly surprised the crowd (or maybe it was just me) with much stronger vocal capabilities. Despite the dozen or so concerts since, I'd have to say he sounded even better. At the rate he's going, by the time he hit's San Diego, he'll have his old King Crimson voice back. Keith Emerson is, well, Keith Emerson, nothing new here except for the return of the knives. To best describe Palmer's performance, take the new 1977 concert video and when you get to the drum solo, hit the fast forward button. Tonight's solo during the encore had the crowd feeling like they were watching the finale at the 4th of July fireworks. So far you got the facts, now for some opinion. ELP overweighs their concerts with keyboards. Or maybe it would be better to say underweighs in the vocal and electric guitar department. You have a half hour encore, with Lake only in the background on bass. I'd like to hear the full ELP sound to close the show. Lake plugged in the electric guitar for "Battlefield." That made the show for me. Emerson is like the best ice cream in the world, all I'm asking for is for them to sprinkle a few nuts and add a little syrup and turn the ice cream into a sundae........ ......Michael Hershkovitz....Chicago.